THE HAIR STYLE ON 2012: Woolie Reitherman

I only knew Woolie Reitherman a little bit during the early eighties, when he was still at Disney. I remember him working with Mel Shaw on ideas for a couple of animated features. One was called "The little Broomstick", based on a book by Mary Stewart. I thought the story was utterly charming, and Mel's pastel sketches for the film were incredible.

The other project was "Musicana", a sort of follow up to "Fantasia". It used some classical music for its story segments, but there was also World music from all over the globe. I had the chance to see a slide presentation of Mel's artwork which was synchronized to music. It was sensational. Unfortunately both projects were dropped after Disney changed management.

The first time I met Woolie I thought I was looking at John Wayne.

He told me that he saw my application portfolio and that he liked the work in it.

When I asked him to sign my copy of "The Illusion of Life" he wrote:

To Andreas - Carry on! Take animation a step farther - Woolie

Those are mighty big words, I thought. But that should be the goal, shouldn't it?

Woolie said he was born in Munich, and I thought it was cool to have that German background in common. He also invited me to come to his house for dinner sometime, whenever I wanted.

Unfortunately I never had the nerve or courage to ask him....darn it !!

Woolie died in a car accident on May 22, 1985.

His career at Disney is legendary. His first feature assignment was he Magic Mirror for "Snow White". He did super dramatic animation like Monstro in "Pinocchio", and the dinosaur battle in "Fantasia". But he could equally well handle funny and sweet characters like Timothy Mouse in "Dumbo". After animating a whole bunch of great Goofy shorts Woolie started to specialize in exciting action sequences.

During an Academy tribute to his work in the early eighties, his chase with Ichabod and the Headless Horseman was screened. Afterwards he turned to the audience and said

"You know, this stuff is holding up pretty good after all these years".

And it still does, might I add!

I want you to take a look at one of his earlier efforts, Gus Goose in "Donald's Cousin Gus" from 1939. I just love this character.

The animation has great comedy, awesome timing and fantastic WEIGHT.